Art Gallery

Kite

Kite plays with the conflicting notions of stability and flight by juxtaposing the foundation, a structure that implies rootedness, against the kite: an object that seeks and thrives in height. Through this, Gomez reminds us that it is only through strengthening our strongholds - be these of our values, faith, or culture - that our dreams and aspirations can soar to their highest.
title: "Kite"
(laro ng lahi series)
size: 24"x24"
acrylic on canvas
Artist:
Harold Gomez

Save

Save incorporates symbols of protection with those of power to bring forward our responsibility in saving our future and our environment. Painting objects such as a gas mask, a tree, a crown, and a shepherd’s flock against clear skies, Gomez presents hope in our capacity to save a world whose redemption relies on no one else but ourselves.
Title: "Save"
size: 36"x24"
acrylic on canvas
2019
Artist:
Harold Gomez

Harold Gomez

Artist

Harold Gomez found his love for the arts at age seven through his father who taught him how to draw. Now a visual artist, sculptor, and cultural worker based in Naga City, he graduated from RMTC-Bicol in Fine Arts and was trained by Prof. Imelda Cajipe-Endaya at the Pandayan Art Workshop. His projects are products of his visions and dreams, which he combines with images inspired by social surrealism and the everyday to raise questions about the responsibilities of humanity on concerns of both personal and societal scales. To date, he has participated in over a hundred group exhibitions and in four solo shows throughout Luzon. He has also been active in his community, co-founding the Kintab Artists Group, Inc. that seeks to assist Bicolano artists. Among his upcoming projects include a group exhibition in November at Cevio Art Haus in Pasig and a solo exhibition in 2022 at Fashion Interior Philippines in Makati.

Si May-i sa mga mata ni Nostradamus

Depicts a scene from Lemuria: the lost civilization in which inhabitants are known to wield psychic powers. As local myths in Pangasinan claim that the Hundred Islands used to be part of this ancient world, Gaudinez attributes the manifold riches found in the province and elsewhere in the country to their enduring connection with Lemuria.
Medium: Inlaid carabao bone, inlaid crystals, inlaid sculpted terracotta, glitter, gold leaf, acrylic & industrial paint on wooden assemblage
Size: 42.75 x 47.5 (open doors)
Artist:
William Gaudinez

Gabay ng Babaylan

Crafted from mixed media on a wooden assemblage, Gabay ng Babaylan resurrects the wisdom of the women spiritual healers in pre-colonial Philippines and translates the babaylan’s therapeutic powers into a capacity to heal society of its contemporary woes.
Medium: Inlaid carabao bone, inlaid & Incised mother or peal, sculpted wood figures on a 360 Rotating lazy susan disc, wooden assemblage on an antique wooded post
Size: 72"x16.75x11
182.88cm x 42.55cm x 27.94.cm
Year: 2018
Artist:
William Gaudinez

William Gaudinez

Artist

William Gaudinez creates urnas and retablos that confess past and present ills of Filipino society. A visual artist and sculptor, he obtained his bachelor’s degree in Fine Arts at the University of Santo Tomas and first rose to fame after winning the 1984 Metrobank Painting Competition. He is best known for his mixed media urnas and retablos made by inlaying materials inside wood that he has sculpted himself - a technique which he likens to how our pre colonial ancestors carved pottery and woodworks as well. Typically depicting folk art alongside images of the working class, his urnas and retablos also reveal historical socio-political-cultural-religious scenes, satirizing contemporary society by exposing how the past lives on through the present societal afflictions of globalization, colonialism, and consumerism.

envelopeusercart